The title isn’t an order; it’s a plea. Wind, Talk to Me, Stefan Djordjevic’s feature debut, began as a portrait of the director’s ailing mother, Negrica, a...
Kicking off this week, the 2025 Berlinale provides an eclectic showcase of world cinema. One directorial debut on our radar comes from Sophie Somerville, Melbo...
A yearly highlight of New York programming (and North American options at large), the Museum of the Moving Image’s First Look returns on March 12 with an openi...
Learning about Gabriele D'Annunzio’s 16-month occupation of Fiume, a tale vividly retold in Igor Bezinović’s new, Tiger Award-winning documentary Fiume o M...
Ricky (Stephen James) has only been out of prison a few weeks, but the real world has already become too much for him. His parole officer Joanne (Sheryl Lee Ra...
A few years back, directors Lois Patiño and Matías Piñeiro joined forces for what was meant to be a very loose adaptation of Shakespeare’s The Tempest. The res...
With an evocative opening-credits sequence as the camera swirls through a virtual landscape of neon signs and lights, one might think they are witnessing the b...
Early one morning, a single father and widower (John Magaro)––credited as Dad––wakes up his perceptive nine-year-old Ella (Molly Belle Wright) and mischievous ...
There is an unbridled honesty to André Is an Idiot that is admirable, even if all of it doesn't really work. It's a simple, stark subject for a documentary: ac...
Sensitive and nuanced, Katarina Zhu’s directorial debut Bunnylovr is a compelling character study that never quite makes sense of the messy life of personal as...
