Christian Petzold’s fifteenth feature Mirrors No. 3 marks his fourth with Paula Beer, the actor-muse he first directed in 2018’s Transit, a film that shares si...
The laws of time and space are met with frisky ambivalence in Drunken Noodles, Lucio Castro’s anticipated third feature and surely the hottest title in this ye...
When confronted with the past, do you drive away or turn back to face it? Siblings Ren (Kurosaki Kodai, in his first lead role) and Emi (Mai Kiryu) have be...
Just three years since earning a special mention from the Camera d’Or jury for Plan 75, Chie Hayakawa returns to Cannes as one of seven filmmakers debuting in ...
Late into I Only Rest in the Storm, Sergio (Sérgio Coragem) is asked a question he can’t seem to answer: what do you care about? A Portuguese environmental eng...
As reminders that ignorance, bigotry, and hate can literally kill, stories about the AIDS epidemic will always be relevant. The latest, beautiful example arriv...
While ghosts and spirits have long been the conduit for cinematic scares and jolts, from The Innocents to Poltergeist to The Ring, a relatively recent wave of ...
After releasing two films last year with Hit Man and the rather-overlooked God Save Texas: Hometown Prison, the ever-prolific Richard Linklater returns in 2025...
When Donbass arrived in 2018, sandwiched between the start of the 2014 Russian-backed conflict in the titular eastern Ukrainian region and full-scale invasion ...
The queer coming-of-age experience is one of great vulnerability: a young person must grapple with the realization they’re becoming different from both past se...
