Is the idea of a Claire Denis film changing? There was likely an image one formed in their head when that name emerged: elliptical, sexy, avant-garde. Yet rece...
You might wonder if you're watching the wrong movie during the prologue to Ben Wheatley's Normal. The setting is Japan, three Yakuza are being reprimanded by t...
Eight years since Zama and more than two since she shared details, Lucrecia Martel has returned with her first feature-length documentary, Landmarks (Nuestra T...
Steven Soderbergh will not stop, and we should be thankful for that. His second film of 2025, The Christophers, is easily the year's least essential, yet it ha...
After landing on our radar with his remarkable, formally fascinating Atlantis, Ukrainian director Valentyn Vasyanovych has returned with To the Victory!, which...
Sofia Coppola, Marc Jacobs, and 30 years of friendship between them––this triad was promising enough for A24 to jump on the project and for the Venice Film Fes...
“The world is full of people,” states the anonymous narrator of Anders Thomas Jensen’s The Last Viking as an opening, hand-drawn animation tells a rather distu...
Making its world premiere this Tuesday as part of the 50th Toronto International Film Festival's Discovery section, Karla Badillo's directorial debut Oca tells...
It’s not too grand a statement to say the environment you watch a film in will heavily impact how you feel about it. This was the case with Sacrifice, a suppos...
How do you tell when you stop being good people pretending to be bad and realize you’re just bad people who can’t even trick themselves into thinking they’re a...
