The death of the author is the birth of the reader, as we know from post-structuralist thought; then again, there are Hong Sangsoo’s public remarks. A charming...
There’s something electrifying about watching a filmmaker break free from well-worn formulas and push themselves into new, uncharted territory. The Sparrow in ...
We're now just a short time away from the world premiere of Pedro Almodóvar's first English-language feature at Venice Film Festival. The Room Next Door, starr...
Indiewire having encouraged us to reminisce about the 2000s through its recent Best of the Decade list, there's the reminder of one key thread defining that er...
Pia Marais’ Transamazonia seeks to connect us to its characters and the environment containing them, but we leave the film far more imprinted by the latter. Th...
The latest documentary from Chinese filmmaker Wang Bing is titled Youth (Hard Times). For anyone who watched its predecessor, Youth (Spring), in the early days...
Fantastic Fest 2024, celebrating their 19th edition from September 19 - September 26, 2024 at Alamo Drafthouse South Lamar in Austin, TX, has unveiled its line...
Following the Main Slate and Spotlight sections, the 62nd New York Film Festival, taking place September 27-October 14 at Lincoln Center and venues across NYC,...
Following the Main Slate announcement, the 62nd New York Film Festival has unveiled its Spotlight section. Taking place September 27-October 14, the festival h...
Memories can be slippery things. Take what happens around the halfway point of Laurynas Bareiša's beguiling second feature: two women––more specifically Ernest...
