Note: This review was originally published as part of our 2025 Cannes coverage. Eddington opens in theaters on July 18.
In Eddington, Ari Aster’s latest doo...
Tel Aviv native, defector, and auteur Nadav Lapid opens his fifth feature in a catastrophic state of carouse. A filmmaker known for his employment of trade...
Halfway through Imago, an engaging documentary from Déni Oumar Pitsaev, the director has a conversation with his mother about the piece of property she bought ...
Note: This review was originally published as part of our 2025 Cannes coverage. Ghost Trail opens in theaters on May 30.
We begin with music that's uncharac...
The 78th edition of the Cannes Film Festival has now concluded, with Jafar Panahi's It Was Just an Accident taking home the Palme d'Or (see all jury winners he...
What is love? For some, it is mutuality––a chemistry, care, and concern that blossoms into an equally supportive relationship. For others, it is devotion––...
It’s common for a successful artist to be asked about advice they'd give their younger self; one film from this year’s Cannes Specials selection does the oppos...
Juliette Binoche's Cannes jury has unveiled their winners for this year's edition, awarding the Palme d'Or to Jafar Panahi's It Was Just an Accident, marking N...
Laura Wandel left a lasting impression with her debut feature Playground, a character study of a very young girl during her first school days, and was lauded f...
I could name few living filmmakers better equipped for the Western than Alessio Rigo de Righi and Matteo Zoppis. The duo behind The Tale of King Crab––a film I...
