Kingdom of the Planet of the Apes Review: A Sluggish Continuation of the Franchise

The recent Planet of the Apes prequel trilogy fizzled out by its third installment, as any form of social allegory it carried over from the original franchise ...

Ghostlight Trailer: Sundance and SXSW Favorite From Saint Frances Team Arrives This June

One of our early favorites of 2024, Kelly O’Sullivan and Alex Thompson’s Saint Frances follow-up Ghostlight premiered at Sundance and stopped by SXSW before co...

Nowhere Special Review: Uberto Pasolini Crafts an Understated, Joyful Tearjerker

There's not a lot of time left, but the adoption agency working with John (James Norton) is doing their best to maintain his belief that they will find the rig...

40 Films to See This Summer

The summer season is upon us and, per each year, we’ve dug beyond studio offerings to present an in-depth look at what should be on your radar. From festival w...

New Trailer for 4K Restoration of Time of the Heathen Captures a World After the Atomic Bomb

While Christopher Nolan recently directly explored the creation of the atomic bomb, a long-lost 1961 film explores the landscape directly after the dropping of...

14 Films to See at New Directors/New Films 2024

Ryûsuke Hamaguchi, Christopher Nolan, Spike Lee, Chantal Akerman, Theo Angelopoulos, Lynne Ramsay, Tsai Ming-liang, Michael Haneke, Lee Chang-dong, Terence Dav...

SXSW Review: Ghostlight is a Profound, Nuanced, and Humorous Drama About Unimaginable Grief

A masterfully crafted work with nearly no false notes, Kelly O’Sullivan and Alex Thompson's Ghostlight is a tender drama bearing profound moments of humor and ...

Berlinale Review: Through the Graves the Wind is Blowing is a Politically Conscious Tribute to the Yugoslavian Black Wave 

How can you make a film about the fall of Yugoslavia? This is the question American documentarian Travis Wilkerson asks himself at the start of Through the Gra...

Alex Cox Plots Return with Repo Man 2: The Wages of Beer

Marking an incredible escape from director jail, Alex Cox is ramping up his first feature in seven years (and perhaps the first well-financed project in 20-plu...

Out of Darkness Review: A Deeply Derivate Prehistoric Slasher

Beginning with a rip-off of the (depending on who you ask) iconic Scott Free Productions logo––albeit with a rabbit instead of bird––I knew I was in for someth...