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Martin Scorsese on Marlon Brando’s
One-Eyed Jacks
: “It Cries Back to the End of the Westerns”
The Telluride Film Festival’s 2024 Lineup Includes Alfonso Cuarón, Guy Maddin, Alain Guiraudie & More
Francis Ford Coppola Plans Two New Films, Including Long-Gestating
Distant Vision
Trailers
Trailers
See all
First Trailer for
Union
Explores a Historic Battle Against Amazon
Caleb Landry Jones Leads First Trailer for Athina Rachel Tsangari’s
Harvest
The Featherweight
Trailer: Robert Kolodny’s Acclaimed Boxing Drama Arrives in September
Reviews
Reviews
See all
Venice Review: Pablo Larraín’s Sparse But Admirable
Maria
Paints a Tragic Portrait
The Falling Star
Review: Jacques Tati-Esque Noir Falls Just Short of Absurdist Ambitions
Across the River and Into the Trees
Review: A Slight, Stoic, Skillful Hemingway Adaptation
Features
Features
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The Best Movies Now Playing in Theaters
40 Films to See This Fall
Our 20 Most-Anticipated Films Premiering at Venice, TIFF, and NYFF
Interviews
Interviews
See all
“I Hate Her”: Zia Anger on the Thorny Self-Portrait
My First Film
C. Mason Wells on the Complex Creation of
Between the Temples
A Crisis of Faith:
Between the Temples
Director Nathan Silver on Jason Schwartzman’s Inspiration and Shooting on 16mm
Podcasts
Podcasts
See all
The Film Stage Show Ep. 546 –
Trap
(with Dan Mecca)
The Film Stage Show Ep. 545 –
Longlegs
(with Bryan Kluger)
The Film Stage Show Ep. 544 –
Twisters
(with Conor Clancy)
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Across the River and Into the Trees
Review: A Slight, Stoic, Skillful Hemingway Adaptation
1
40 Films to See This Fall
2
Locarno Review:
The Seed of the Sacred Fig
is a Shape-Shifting Thriller Where Iranian Protests Manifest in the Family Home
3
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