The Film Stage - Page 205

Joshua Burge Takes a Nocturnal Journey Through NYC in Exclusive Trailer for Pratfall

If you are familiar with the anarchically grungy films of Joel Potrykus, then you've certainly seen the talents of Joshua Burge. His latest lead performance is...

The Best Films from the 2023 Cannes Film Festival

The 76th edition of the Cannes Film Festival has now concluded, with Justine Triet's Anatomy of a Fall taking home the top honors. While our coverage will cont...

The Film Stage Show Ep. 509 – Master Gardener (with Diana Drumm)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham are joined by Diana Drumm to discuss Paul Sc...

Falcon Lake Review: Charlotte Le Bon’s Directorial Debut Grounds First Love in Gothic Horror

Every cinematic cabin in the woods suggests a place out of time. If you believe the movies, they’re either a) a dread-inducing home to all manner of spirits an...

Shia LaBeouf Is Writing a Film About Auschwitz for Abel Ferrara

The headline would almost suffice. Would there be something expansive to report, word of––I'll repeat––Shia LaBeouf writing a film about Auschwitz for Abel Fer...

Michael Cera Returns Home in First Trailer for Dustin Guy Defa’s The Adults

After a fairly quiet last few years (at least since his iconic brief stint in David Lynch's Twin Peaks: The Return), Michael Cera is back in the spotlight. Thi...

Cannes Review: Cobweb is a Dextrous but Overdrawn Meta-Filmmaking Exercise from Kim Jee-woon

With Cobweb, South Korean genre stalwart Kim Jee-woon falls back on that old piece of received wisdom: “movie people, ain’t they crazy?” When in self-satirizin...

Recommended New Books on Filmmaking: Revisiting Lost Highway, Watching John Ford, and a Guide to Queer Cinema

Our latest roundup of new books related to the world of cinema is full of indelible imagery––the pale face of Lost Highway’s Mystery Man, John Ford’s craggy vi...

Cannes Review: Bertrand Mandico’s Conann Turns Barbarism into Pure Love

Following The Wild Boys and After Blue, Conann marks the third feature-length project from prolific shorts filmmaker Bertrand Mandico. Many are still not convi...

Martin Scorsese Is “About to Start Making” a New Film Concerning Jesus

Killers of the Flower Moon's corpse isn't even cold––can I continue torturing this metaphor? it's a holiday and I shouldn't even be working––but Martin Scorses...

News

MUBI’s January 2025 Lineup Includes Close Your Eyes, Pepe, Luca Guadagnino, Charli XCX & More

The Criterion Channel’s January 2025 Lineup Features David Bowie, Nicole Kidman, Sean Baker & More

Brady Corbet Reveals First Details for Next Film, Inspired by Horror and Westerns

Trailers

The Game Is Out of Joint In Trailer for Grand Theft Hamlet

Gazer Trailer: Paranoia Thriller and Cannes Selection Arrives This February

Exclusive: ’90s Sundance Gem Girls Town Gets 4K Restoration, Trailer, and Theatrical Release

Reviews

Laceno D’Oro Review: Pastoral Hybrid Doc Savanna and the Mountain Confronts An Urgent Struggle with Humor and Charm

Laceno D’Oro Review: Bestiari, Erbari, Lapidari Entrancingly Explores the Histories of Science, Cinema, and War

Endless Summer Syndrome Review: An Incest Drama With Depth

Features

NYC Weekend Watch: Minority Report, Mr. Deeds, La Notte & More

Robyn Bahr’s Top 10 Films of 2024

New to Streaming: The Order, Between the Temples, Bird, Gladiator II, Nightbitch & More

Interviews

The Brutalist Cinematographer Lol Crawley on VistaVision, the 70mm Experience, and Brady Corbet’s Flexibility

Santosh Director Sandhya Suri on Quiet Characters, Economic Filmmaking, and Emotional Chess

Guy Pearce on the Egoism of The Brutalist and Why Brady Corbet’s Epic Earns Its Runtime

Podcasts

The B-Side – Al Pacino (with Mitchell Beaupre)

The B-Side – Jack Lemmon (with Mitchell Beaupre)

The Film Stage Show Bonus Ep. – Box Office Bonanza (July 21, 2000)

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