After Rory O'Connor reviewed Kamila Andini's Before, Now & Then some 18 months ago at Berlinale, where it picked up the Silver Bear for Best Supporting Per...
Odds are low we'll watch Roman Polanski's The Palace through strictly legal means in the United States, those of us who maintain interest instead waiting for T...
A highlight at Sundance Film Festival earlier this year Babak Jalali’s Jarmuschian tale of assimilation and identity, Fremont, is now gearing up for a release ...
Tomas (Franz Rogowski) seems to have it all: a career as a director, marriage to Martin (Ben Whishaw), and the freedom to pursue his desires as he wishes. In P...
While How to with John Wilson is closing out its brilliant, three-season run, its creator has boarded a new project that shares his passion for looking at the ...
Four teenage boys run through the streets of New York City. They go to their local bodega, pick up pizzas, watch a movie in the park, and head back home later ...
The following article is written by Michael Lee Nirenberg, author of the forthcoming oral history Cinematic Immunity.
In light of recent labor actions by ...
Dreams are hard. Most of us wake up. And what a sad thing that is. Dreamin' Wild, written and directed by Bill Pohlad and based on the article "Fruitland" by S...
Jim Jarmusch has undoubtedly been the most visible peripheral filmmaker of the last thirty years. Since his jagged rise to fame in the mid-1980s, he has worked...
First things first: I was kindly told not to ask Richard Kelly about any forthcoming projects. It will soon be 14 years since his much-better-than-you-remember...