There is an unbridled honesty to André Is an Idiot that is admirable, even if all of it doesn't really work. It's a simple, stark subject for a documentary: ac...
Twinless starts like a prototypical Sundance movie––grim and serious, plus unexpected levity. That’s the general formula for a festival that might as ...
Early in Michael Shanks’ directorial debut Together, Millie (Alison Brie) warns her boyfriend Tim (Dave Franco) that if they don’t “split up” now, it’s only go...
With Sundance wrapped up, much of February's attention toward the world of cinema will be on Berlinale. This month certainly isn't stacked for new releases, bu...
Celebrating and condensing centuries of Black history that would take more than a few lifetimes for any scholar to thoroughly ascertain in totality, Kahlil...
Sensitive and nuanced, Katarina Zhu’s directorial debut Bunnylovr is a compelling character study that never quite makes sense of the messy life of personal as...
After his long-awaited return with Crimes of the Future, David Cronenberg returned last year to the festival circuit with The Shrouds, a darkly funny conspirac...
Many films, from the classic melodrama Mildred Pierce to last year’s playful dramedy Nightbitch, have tried to depict the unique struggles of motherhood wi...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaOne of our era's great musicians, Lex Walton, introduces I-Be Area on Friday; Ba...
You can feel the warm breeze filtering through Love, Brooklyn, a gentle, dream-like summer movie that often teeters on the edge of reality. Rachael Abigail Hol...