Though once head-spinningly prolific, Tsui Hark hasn't directed a solo feature since 2018's Detective Dee: The Four Heavenly Kings, the time between then and n...
In Videoheaven, Blockbuster––to take after Thom Andersen––plays itself. Now deep in a pop-cultural-scholarship phase inaugurated by his last feature Paveme...
After Bait and Enys Men proved to be a pair of the most tactile, distinctive films of the last few years, director Mark Jenkin is expanding scope for his lates...
It’s always thrilling when a horror film explores the power and possibility of sound. Much modern horror is too quiet, missing the opportunity to create an imm...
Kim A. Snyder's The Librarians is a comprehensive documentary that maps well-funded, right-wing political groups' nationwide mission to ban books and those...
Dabbling in narrative filmmaking in-between his many documentaries, it was recently announced Werner Herzog was in production on his first animated feature, Th...
Turning 95 years old on New Year's Day, Frederick Wiseman has a body of work that could be argued as the most important in cinema history. To view it in totali...
In the fictional country of Atropia, everything is played for real. Nestled into the southern California desert, the U.S. military-built training ground looks,...
Like so many other actors sucked up by the Marvel machine, the extensive shooting and promotion commitments often mean a plethora of projects showing their mor...
After his revelatory coming-of-age film Genesis, Quebecois filmmaker Philippe Lesage has expanded his canvas with Who by Fire, a lush, intimate, and psychologi...