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New to Streaming: ‘Ida,’ ‘Edge of Tomorrow,’ ‘The Signal,’ ‘Honeymoon,’ ‘Korengal,’ and More

Written by on September 12, 2014 


With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon Instant Video, and more (note: U.S. only). Check out our rundown for this week’s selections below, and shoot over suggestions to @TheFilmStage

All is Lost (J.C. Chandor)

The hurdles in making a film with a single actor, virtually no dialogue and, while you’re at it, also setting action in the middle of the ocean sounds like a daunting, if not impossible feat for a filmmaker to successfully accomplish. Yet, miraculously, All Is Lost, the second feature film fromMargin Call director J.C. Candor, is an uncommonly effective piece that acts as a complete reversal from his previous feature. Starring the timeless Robert Redford as a nameless man — in what might be a pinnacle performance that he could happily retire after — the film rests entirely on his shoulders, and he carries it with grace and class. Moreover, the nuanced details in his performance anchor All Is Lost without exaggerating the direness of his own predicament. – Raffi A. (full review)

Where to Stream: Netflix

Edge of Tomorrow (Doug Liman)


Edge of Tomorrow, Tom Cruise’s latest summer action vehicle, fits nicely into the group of recent blockbusters concerned with altering a distant past. Like X-Men: Days of Future Past or Godzilla, Edge of Tomorrow is also adapted from existing material, this time a Japanese science-fiction novel titled All You Need Is Kill. Created by Hiroshi Sakurazaka, it’s the backbone for director Doug Liman’s tent-pole about an unfortunate military major trapped in a perpetual time loop. Cruise has crafted a body of work consisting of drastic and bold characters; he has taken his star persona and flirted with physical and emotional recklessness to craft memorable moments in films as diverse as Magnolia and Mission Impossible: Ghost Protocol. These characteristics are notably absent at the start of Edge of Tomorrow, as Cruise plays Major William Cage, a figurehead used to sell a war to the public against an invading alien species. – Zade C. (full review)

Where to Stream: Amazon, iTunes, Google

Filth (Jon S. Baird)


A movie not being exactly what you expect can lead to a certain kind of emptiness or hollowness once everything is said and done. When you walk into any situation desiring one thing and then leave having gotten something else entirely, it takes a moment for your mind to adjust to the shift. There may be disappointment at the bottom of your experience, a foundation laid by the apparent bait-and-switch you just went through, but does that mean that the experience was a net negative? After all, the thing you received might be objectively perfect in its own right, outside of your expectations.
These are the kinds of questions one might have to ask oneself after watching Filth. – Brian R. (full review)

Where to Stream: Netflix

God’s Pocket (John Slattery)


God’s Pocket, the feature directorial debut of Mad Men’s John Slattery, is a dark comedy determined to paint a distinct picture of small life in a very particular kind of town. It’s place full of colorful characters but lacking in a particularly interesting tale to tell, or a particularly interesting way to tell it. The town, in this case, is God’s Pocket, and we open at a funeral. A young man named Leon (Caleb Landry Jones) has died, and the people of God’s Pocket have gathered to mourn and get drunk in their own way. – Dan M. (full review)

Where to Stream: Amazon, iTunes, Google

Honeymoon (Leigh Janiak)


Honeymoon is a kind of Trojan horse; going in cold and not knowing that its playing in the “Midnighters” section of SXSW, you’d think you were in just another festival drama about 20-something hipsters venturing into the woods to discover themselves and something new about their relationship, family, etc. — it is that, and a great deal more. Initially we’re confronted with talking heads of our couple explaining a disastrous first date over Indian food in Brooklyn. – John F. (full review)

Where to Stream: Amazon, iTunes, Google

Ida (Pawel Pawlikowski)


A black-and-white film about an orphan nun trying to find out about her family sounds like the kind of clichéd awards bait which could easily fall flat on its face. Pawel Pawlikowski manages to undermine those dire possibilities by making a subtle, affecting picture about long-buried secrets, as well as the conflicted dialogue between virtue and vice. The film is buoyed by the strong performances of its two leads, Agata Trzebuchowska and Agata Kulesza, both of whom manage to bring real humanity to characters who begin as archetypes. Add to this base the way in which Ida delves deep into horrors wrought by war and attempts to construct some greater peace, and a film that sounds like a didactic one-act play becomes a moving, resonant glimpse into a very human profound in two people’s lives. – Brian R.

Where to Stream: Amazon, iTunes, Google

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