Let's start here: watching Bobby Cannavale and Robert De Niro argue on a New York City street while cars angrily beep their horns is electric. Truly exhilarati...
When we say a filmmaker is in another league, we typically mean it in a good way––they’re a cut above the rest. But when we say it about Guy Maddin, it doesn’t...
“Everyone has at least one person in Mumbai.” “There’s work and money in Mumbai. Who would want to go back?” “You better get used to the impermanence.” Like po...
Headlines read, "Leos Carax Bring Back Baby Annette to the Croisette," but this is only half the truth. Yes, the legendary puppet makes a comeback in C’est Pas...
For his tenth Cannes feature premiere, Arnaud Desplechin chose to present a docu-fictional love letter to cinema. Two years after Brother and Sister was in Com...
Coralie Fargeat made a splash with her debut Revenge. But she was only standing in a puddle, endearing niche corners of the global cinephile community to her c...
In Universal Language, a man makes a journey to his childhood home and meets the family now living there––these are at least the broad strokes. The director is...
Up to this point, Mikey Madison––the fearless, explosive 27-year-old lead of Sean Baker’s Anora––is best-known for her chilling turn as the deranged killer in ...
For a biopic about Donald Trump, The Apprentice is surprisingly concerned with other things. The film has exactly what you might expect and somehow a curiosity...
How is a child’s life different from that of adults today? What is it like growing up around stimuli, in a world that is always-online, and with varying degree...
