Bad Boys: Ride or Die is a film about retribution and redemption. Not just on screen, but in execution. After their last attempt at a blockbuster was shelved i...
If anything could revive the worn-out nepotism discourse, it would be this summer's horror offerings. In August we have M. Night Shyamalan's upcoming thriller,...
It’s true that This Closeness, by rising writer-director-star Kit Zauhar, may be too small in scale for some. But a recent trip to New York where this writer s...
If you're quirk-averse, you might be immediately put off by a cursory description of Daina Oniunas-Pusić's debut feature, Tuesday, in which Julia Louis-Dreyfus...
A directorial debut programmed into the main Cannes competition is typically viewed with suspicion, if not overlooked altogether. Very rare is that lightning-i...
Eight years after My Life as a Zucchini premiered in Directors' Fortnight en route to winning two Césars (and nabbing one Oscar nomination), Swiss director Cla...
In the derelict, scraggly city in northwest China where Guan Hu’s Black Dog is set, human life has all but disappeared and canines have replaced their masters....
Let's start here: watching Bobby Cannavale and Robert De Niro argue on a New York City street while cars angrily beep their horns is electric. Truly exhilarati...
When we say a filmmaker is in another league, we typically mean it in a good way––they’re a cut above the rest. But when we say it about Guy Maddin, it doesn’t...
“Everyone has at least one person in Mumbai.” “There’s work and money in Mumbai. Who would want to go back?” “You better get used to the impermanence.” Like po...
