It’s not too grand a statement to say the environment you watch a film in will heavily impact how you feel about it. This was the case with Sacrifice, a suppos...
How do you tell when you stop being good people pretending to be bad and realize you’re just bad people who can’t even trick themselves into thinking they’re a...
David Mackenzie gets the opening credits out of the way as soon as we sit down to watch his latest film Fuze. A majority of the 98 minutes which follow are aki...
The new documentary With Hasan in Gaza––a poignant, meditative portrait of a city now fighting for its life––works as both a travelogue and time machine. In 20...
Hungarian director Ildikó Enyedi is best known for her 2017 Golden Bear-winning film On Body and Soul, where an unlikely pair of characters met in a dream and,...
Based on a real-life conversation shared by co-director Meriem Bennani and her own mother, Bouchra (co-directed with Orian Barki and co-written by them and Ayl...
You almost believe Amir (Dhafer L'Abidine) wants the village perspective when asking his chauffeur Yusuf (Karim Daoud Anaya) to explain the Palestinian experie...
In 1921, three years since the end of WWI, a train departed the small town of Aquileia in northeastern Italy. Draped in flags and wreathes, it carried the coff...
The Bend in the River, director Robb Moss' third installment in his running chronicle of his friends' lives (following The Same River Twice in 2003 and Riverdo...
Gus Van Sant returns with Dead Man's Wire, a movie shot in the same late-70s hues as Kelly Reichardt's recent gem The Mastermind, and likewise concerned with u...
