New York audiences might be the luckiest cinephiles this summer: French legend Catherine Breillat’s newest gem of a film Last Summer not only opens theatricall...
It’s rare for a festival like the Berlinale to allow a genre film in its main competition, and this year it was Veronika Franz and Severin Fiala’s third featur...
Headlines read, "Leos Carax Bring Back Baby Annette to the Croisette," but this is only half the truth. Yes, the legendary puppet makes a comeback in C’est Pas...
For his tenth Cannes feature premiere, Arnaud Desplechin chose to present a docu-fictional love letter to cinema. Two years after Brother and Sister was in Com...
How is a child’s life different from that of adults today? What is it like growing up around stimuli, in a world that is always-online, and with varying degree...
Oh, to be one of the chosen. I guarantee this thought washes over every single person attending the Cannes Film Festival, at least at some point. It is a reali...
Almost a decade since his debut feature The Here After premiered at Directors’ Fortnight, Swedish director Magnus von Horn is finally in Cannes Competition wit...
Early Modern times were messy: Europe was finding its footing in rationalism, seeking independence from the centuries-long spiritual yoke of Catholicism and Pr...
How can you make a film about the fall of Yugoslavia? This is the question American documentarian Travis Wilkerson asks himself at the start of Through the Gra...
The films of Canadian director Kazik Radwanski are freedom in its purest form, or the purest this particular medium can contain. Being the opposite of prescrip...
