How blessed are we to have a whole six hours of Kevin Costner’s mythopoetic Horizon already make their way to (some) audiences, especially when this project ha...
“Something big is about to change,” is surely one ominous beginning for a debut fiction feature, but director Neo Sora knows how to calibrate the fine balance ...
In this year’s diverse line-up of Venice competition titles, there is one that stands out. A film without any predecessors or useful comparison-companions, a t...
An unnamed village, an unknown time; somewhere in Britain, sometime in the Late Middle Ages, something is about to end. Athina Rachel Tsangari’s Harvest sees t...
The Motorcycle Diaries director Walter Salles developed I’m Still Here for seven years before it premiered as part of Venice's Main Competition this year. That...
Boosted by Locarno-awarded debut Instinct, Dutch actor-director Halina Reijn fit nicely in the A24 canon with her satirical thriller Bodies Bodies Bodies. Yet ...
Turkish director Burak Çevik’s fifth feature asks a perennial question (is there politics without violence?) and answers rather grimly, showing how in Turkey, ...
New York audiences might be the luckiest cinephiles this summer: French legend Catherine Breillat’s newest gem of a film Last Summer not only opens theatricall...
It’s rare for a festival like the Berlinale to allow a genre film in its main competition, and this year it was Veronika Franz and Severin Fiala’s third featur...
Headlines read, "Leos Carax Bring Back Baby Annette to the Croisette," but this is only half the truth. Yes, the legendary puppet makes a comeback in C’est Pas...
