The first of Menus-Plaisirs Les Troisgros' four hours moves as quick as a glacier. Herbs are inspected at a farmer's market. Two chefs weigh up the benefits of...
Amongst a typically raucous lineup at this year's Venice Film Festival comes Evil Does Not Exist, a work in which tensions rise over little more than the place...
Is it possible to leave your enfance without losing your terrible? The one-and-only Harmony Korine, now 50 years young, returns with Aggro Dr1ft, a premiere ou...
Murderers abound in the cinema of David Fincher, yet up until now they've tended to operate on the margins (Se7en, The Girl with the Dragon Tattoo) or hardly a...
In The Palace, guests of a luxury hotel prepare to celebrate the turn of the millennium. The caviar is tasted. The fireworks are readied. Soon (you guessed it)...
If you witnessed the chaos unfold in Kabul airport two years ago, it probably won't come as much of a surprised to learn the US Army left a helicopter or two i...
Georgian cinema continues to show thriving signs of life in Blackbird Blackbird Blackberry, a film about a contently independent woman who is faced with the th...
The Indonesians have a concept called nongkrong. To nongkrong is to meet and talk, preferably in large groups, and about nothing in particular. I first came ac...
What a year it's been for David Krumholtz. In 2023, the actor has added a Tony-winning play (Tom Stoppard’s Leopoldstadt) and a box-office sensation (you know ...
It’s February in Berlin and Michael Cera is dodging bullets. What's it like, one reporter asks, to be a new dad? “It's like a new obsession," the actor explain...
Irish-born, Berlin-based, Rory O'Connor has been covering the European film festival circuit since 2012. A regular contributor to The Film Stage, his work has also appeared in Frieze, The Playlist, and CineVue.
