With The Weinstein Company promising a 70mm release in 2015, casting deals have begun coming together for Quentin Tarantino's The Hateful Eight. Although a rece...
It was just yesterday when I had the pleasure of sitting down and speaking with Mia Hansen-Løve, who's attending this year's New York Film Festival in suppo...
There are many images throughout Inherent Vice that even the most perceptive eyes couldn't describe with total confidence. I speak as much for the specific (col...
If David Cronenberg's acolytes are irate with the ever-shifting release strategy plaguing his latest film, they might take solace in knowing a different, more significant option is now available: Consumed, the filmmaker’s inaugural foray into literature....
It begins with a dark night in the woods and the occasional sight of a half-complete face or full-figure silhouette, such impressions stemming only from pale mo...
One of the great things about Cosmopolis, perhaps David Cronenberg's greatest film, is how perfectly it captures the seemingly adaptation-resistant language...
Three disclaimers before moving forward:
1. Because this has been written by someone who simply cannot discuss Twin Peaks from a newcomer’s perspective, ...
Although he's no stranger to the world of commercials, it's fun to ponder David Lynch, who's probably never picked up a game controller in his life, leading...
A small, recent change in the complicated narrative of Orson Welles's career has been recognizing Filming Othello as his final completed film. (Sorry, F for...
Magic in the Moonlight’s pending release has granted marketing types an opportunity to note Woody Allen’s supposed penchant for magic. For this to be the hobby ...
