Note: This review was originally published as part of our 2024 New York Film Festival coverage. Việt and Nam opens in theaters on March 28 from Strand Releasin...
Note: This review was originally published as part of our 2024 Venice coverage. Baby Invasion is now available on VOD and screening in select events from EDGLR...
For as much light as The Actor is bathed in, it’s equally shrouded in darkness. Duke Johnson’s solo directorial debut is a film of bleary sun and swallowing ni...
In one of many well-executed nods to Once Upon a Time in Hollywood, Cinerama-style red and blue credits play over a black screen to sizzling '60s surf rock, a ...
“In early 1995, a hiker went missing in the remote mountains of central Oregon,” reads the prologue over a gorgeous opening shot: a still, wide frame looking d...
With only two features under his belt, British musician Daniel Blumberg has already cemented his name in film history. After debuting scoring abilities on 2020...
Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 list...
After the riot-induced death of her policeman husband in the badlands of North India, 30-something widow Santosh Saini (Shahana Goswami) is told she has nothin...
Remakes, reboots, and sequels are all the rage in Hollywood these days. Studios hand them out like candy to proven and unproven talent alike, but very few dire...
Fifty years after his screenwriting debut via Sydney Pollack’s The Yakuza and a mere forty-six since his directorial debut with Blue Collar, Paul Schrader is s...
A New York City film journalist by way of Austin, TX, Luke is an arts enthusiast who earned his master’s studying film philosophy and ethics at Duke. He thinks every occasion should include one of the following: coffee, whiskey, tea, gin, beer, or olives.
