Nearly 30 years into his feature filmmaking career, French writer-director François Ozon has done it all: screwball comedies, murder mystery musicals, erotic d...
For fifteen years now, Israeli writer-director Nadav Lapid has thoughtfully crafted blistering and incisive films about the incompetency, hypocrisy, criminalit...
Note: This review was originally published as part of our 2025 Cannes coverage. The film opens in theaters on March 27.
Tel Aviv native, defector, and a...
Note: This review was originally published as part of our 2025 Cannes coverage. The film opens in theaters on March 27.
Julia Ducournau has turned 180 degre...
Note: This review was originally published as part of our 2025 Cannes coverage. The film opens in theaters on March 20.
Christian Petzold’s fifteenth featur...
Note: This review was originally published as part of our 2026 New York Film Festival coverage. The film opens in theaters on March 6.
With Mount Vesuvi...
“Between 1969 and 1977, Elvis played 1,100 shows, sometimes 3 times a day.”
The postscript of Baz Luhrmann’s EPiC: Elvis Presley in Concert—the extravag...
John Patton Ford’s sophomore feature rides the wave of its clever lead from first shot to last, cool and confident that everything will work out in his favor n...
Note: This review was originally published as part of our 2025 NYFF coverage. The Love That Remains opens in theaters on January 30.
Hlynur Pálmason’s f...
Filipino writer, director, editor, production designer, and cinematographer Lav Diaz is over 25 features deep into a three-decade-long career, and he continues...
Luke Hicks is a New York City filmmaker, film journalist, and musician by way of Austin, TX. He earned his Master’s studying film philosophy, theology, and ethics at Duke University and is the founder of the Brooklyn-based Art Mob Productions.
