Jeremy O. Harris' Slave Play. Not A Movie. A Play. is in fact a documentary self-portrait, at times providing a behind-the-scenes look at the workshopping of H...
Expanding the cinematic universe of her first feature The Unknown Country, Morrisa Maltz’s Jazzy is a beautifully crafted portrait of childhood in South Dakota...
Mike Ott’s McVeigh is an immersive, chilling, meticulously paced portrait of Timothy McVeigh, played by Alfie Allen, who embodies the bleak, quiet rage of the ...
If you were there, you remember. 2018 was the summer of MoviePass, a glorious period in cinema history where millions said "why not” and took a chance to see n...
Despite rumors that The Idea of You is a work of Harry Styles fan fiction (or a reimagining of Notting Hill), Michael Showalter’s frothy romantic comedy stands...
While bound to spark hundreds of think pieces, Alex Garland’s stirring Civil War will undoubtedly go down, too, as one of the most provocative films of the yea...
An action rom-com with all the elements for something iconic, David Leitch’s The Fall Guy features truly remarkable stunt work and charismatic performances by ...
A masterfully crafted work with nearly no false notes, Kelly O’Sullivan and Alex Thompson's Ghostlight is a tender drama bearing profound moments of humor and ...
With a premise that is as simple or as complex as you’d like it to be, Monkey Man anoints Dev Patel as a new action director and star. Filmed on location in Mu...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
