There was slight trepidation going into Bonjour Tristesse. Justifying itself as another “adaptation” of Françoise Sagan’s text rather than remake of Otto Premi...
It’s true that This Closeness, by rising writer-director-star Kit Zauhar, may be too small in scale for some. But a recent trip to New York where this writer s...
Premiering at Sundance to rave reviews earlier this year, In a Violent Nature instantly set itself apart from the glut of recent independent horror films via i...
Racking my brain to think of what exposure I’ve had to the concept of asexuality, I can come up with two examples: the personal life section of Janeane Garofal...
When considering a film, it can be healthy to have some skepticism, no matter what genre or subject matter is at hand. With regards to Omen, we have a Belgian-...
After a year-and-a-half of copyright drama, The People’s Joker is finally here. The daring mixture of both tones and form will be sure to impress anyone, even ...
Beginning with a rip-off of the (depending on who you ask) iconic Scott Free Productions logo––albeit with a rabbit instead of bird––I knew I was in for someth...
Early 2020s mainstream cinema may be continually dire, but even a fanatic like me is still willing to recognize patterns within. You can certainly place the ne...
I’ll admit I didn’t expect to see an overt Vertigo homage in the middle of this rather matter-of-fact Isabelle Huppert procedural. Fixating for a second on the...
Generally, when I enter the small sauna room at my local YMCA after a workout, I’m prone to eavesdrop (it is a confined space, after all) on a group of men opi...
