The true pits of '90s nostalgia are maybe here, as we’re in the year 2024 arriving at an attempt to hype an English Patient reunion. Yes, that’ll be music to t...
I haven’t read Pedro Páramo by Juan Rulfo, but a glance via Google informs me it was a very important novel: a magical-realist text that influenced Latin Ameri...
Mike Leigh is nothing if not an expert at conceiving (in conjunction with talented actors) a certain kind of larger-than-life character. Well, larger-than-life...
There was slight trepidation going into Bonjour Tristesse. Justifying itself as another “adaptation” of Françoise Sagan’s text rather than remake of Otto Premi...
It’s true that This Closeness, by rising writer-director-star Kit Zauhar, may be too small in scale for some. But a recent trip to New York where this writer s...
Premiering at Sundance to rave reviews earlier this year, In a Violent Nature instantly set itself apart from the glut of recent independent horror films via i...
Racking my brain to think of what exposure I’ve had to the concept of asexuality, I can come up with two examples: the personal life section of Janeane Garofal...
When considering a film, it can be healthy to have some skepticism, no matter what genre or subject matter is at hand. With regards to Omen, we have a Belgian-...
After a year-and-a-half of copyright drama, The People’s Joker is finally here. The daring mixture of both tones and form will be sure to impress anyone, even ...
Beginning with a rip-off of the (depending on who you ask) iconic Scott Free Productions logo––albeit with a rabbit instead of bird––I knew I was in for someth...
