[Review] Monsters
Gareth Edwards' directorial debut will be lamented by many as an achievement for the scope it achieves with its budget. It'll be declared as an ambitious ex...
Dylan Chester
[Review] Welcome to the Rileys
Welcome to the Rileys isn't as creepy or as smaltzy as it could have been. The script, if handled inappropriately or in a blunt manner could have led to a h...
[Review] Hereafter
After a string of underwhelming misfires, Clint Eastwood marks his return to success with his latest drama Hereafter. Keep in mind, this is a minor success ...
[Review] Leaves of Grass
Leaves of Grass, like its characters, is manic. It's tonally insane, but that's not a slant. The insanity at hand plays perfectly into the situation and its...
[Review] Red
Red can best be described by simply shrugging one's shoulders. It's the perfect physical reaction to fit this action/comedy where there is very little to ho...
[Review] Stone
Robert De Niro in a good film? And he delivers an exceptional performance as well? It's been far too long for one to say that and it couldn't be more satisfying to admit....
[Review] The Social Network
David Fincher and Aaron Sorkin are two of the most reliable names working in the film business today, so it comes as no surprise that their first collaborat...
[Review] Let Me In
Anyone who goes into Let Me In having seen the original will be hard-pressed not to make comparisons, and that's fair. That said, on its own merit, this is a strong film....
[Review] Wall Street 2: Money Never Sleeps
O Brother, Where Art Gordon Gekko?
There's a lot done right in Wall Street: Money Never Sleeps. Director Oliver Stone has turned out an entertaining film...
[Review] Catfish
Note: This review contains mild spoilers.
Catfish is incredibly difficult to talk about. It's a film that you should go in with a blank slate not knowing...
