Dan Mecca

[Sundance Review] My Idiot Brother

It's nearly impossible to imagine anyone but Paul Rudd filling the shoes of Ned, the unbelievably amiable hero at the core of Jesse Peretz's My Idiot Brother....

[Sundance Review] The Future

Toeing the line between pretension and pleasure for all of its 91 minutes, Miranda July’s The Future ultimately emerges as a testament to original voice yel...

[Sundance Review] Submarine, Like Crazy

Young, star-crossed love. Every Sundance there's never a shortage of coverage on the subject. This year there's Submarine and Like Crazy, directed by Richard ...

[Sundance Review] The Nine Muses

Diving head first into identity crisis and refusing to come up for air, John Akomfrah's experimental docu-essay The Nine Muses asks us to question our own i...

[Sundance Review] Project Nim

James Marsh's documentary Project Nim, which chronicles the life of experimental chimp Nim Chimsky (like Noam Chomsky, eh eh?), poses an interesting hypothesi...

[Review] The Way Back

Above all else, Peter Weir's new film, The Way Back, is a challenge. Telling the 'based on a true story' tale of a group of WWII POW's escape from a Siberia...

Dan Mecca

Managing Editor

Dan Mecca is the co-founder and managing editor of The Film Stage. He is a producer and filmmaker living in Pittsburgh. He watches a lot of movies and tracks them on Letterboxd.