Or not really. Maybe sub-titles to blockbuster sequels should be retired. I mean, after you've used At World's End and Ghost Protocol, really what's left?
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Ari Folman inches closer and closer to his animated sci-fi follow-up to his Oscar-nominated film Waltz With Bashir, with character actors Paul Giamatti, Dan...
Director Philip Noyce is a hot commodity again, thanks to the success of his Angelina Jolie-starrer Salt, which earned modest critical praise (%61 on RT) an...
Can this movie come out already? We've been hearing about it for the better part of two years. We've reviewed it, we've posted trailers for it, posted poste...
Nick Cassavetes wants to get into the drug trade, at least on the silver screen. The directing vet (John Q, The Notebook, Alpha Dog) has signed on to direct...
Just a day after three vastly different movie posters got their online release, illustrating the dos and do nots of the business, two more have appeared, bo...
Jean-Jacques Annaud's career is one defined by epic mediocrity, which is to say the man makes epics that are at once stunning to watch and stunningly easy to...
Here, in one post, we have a perfect example of PR campaigns in every form: good, bad and otherwise. Movie posters are selling something that's far differen...
What does it feel like to go from one under-seen Sundance competitor to a Harvey Weinstein-distributed indie smash starring two of the hottest actors in the...
Though Paul Walker has yet to head a successful film that did not involve hijacking cars in endlessly strange and creative ways, Mimran Schur Pictures' Jord...
Dan Mecca is the co-founder and managing editor of The Film Stage. He is a producer and filmmaker living in Pittsburgh. He watches a lot of movies and tracks them on Letterboxd.
