Richard Gere is making it awfully hard to admire his late-in-the-career try at new, exciting roles. Whether it's playing an ambitious, reckless photojournal...
Just when you thought maybe the Great Director was burning out a bit, unaware of his own indulgences, Steven Spielberg speaks up and honestly and sounds jus...
For those still without the opportunity to experience Sean Durkin's entrancing, disturbing Martha Marcy May Marlene in theaters (as it should be seen), here...
In 2008, Steve McQueen's Hunger blew many away, thanks, in equal parts, to McQueen's superb, restrained visual style and Michael Fassbender's career-making ...
Andrew Bird has been an anomaly in music since the mid-90s, meshing folk sounds with blues sounds with pop sounds, and doing most of it on his own, employin...
With all of The Hobbit chatter lately, not to mention the anticipation of Steven Spielberg's Tintin film, it's easy to forget that Peter Jackson (who's prod...
IFC Midnight has acquired ATM, the chamber thriller directed by David Brooks (his feature debut) from a script by Chris Sparling, the scribe who provided th...
Nicolas Cage is in a bit of rough patch. His turn in Joel Schumacher's Trespass has been met with laughter, the film itself disliked and virtually unseen, a...
Dan Mecca is the co-founder and managing editor of The Film Stage. He is a producer and filmmaker living in Pittsburgh. He watches a lot of movies and tracks them on Letterboxd.
