It seems appropriate to read about some of our greatest filmmakers during the fall. (Festival season! Prestige pics! Megalopolis mania!) Plus, a guide to cinem...
The level of enjoyment audience members will have with Andrew DeYoung’s Friendship is tied directly to their tolerance for the humor of Tim Robinson. The star ...
Christopher Andrews’ Bring Them Down is an endurance test with no payoff. Opening with a jarring car crash on a windy road in rural Ireland, the film soon adds...
On paper, there are few filmmakers who seem less-suited to the rigors of a project like Eden than Ron Howard. This is the grim story, after all, of real-life i...
It's been some time since we've had such a ridiculously attractive lineup of buzzworthy young actors as the quartet starring in Daniel Minahan’s On Swift Horse...
“I’m older––I’m not old,” says Shelley, the longest-term performer in a past-its-prime Las Vegas revue. She is played by Pamela Anderson, the international ico...
Our latest review of new and recent books about (or connected to) cinema includes an extraordinary look at transness in film; memoirs from Griffin Dunne, Jon C...
Our latest look at new and recent books about (or connected to) cinema must start with a mention of Miss May Does Not Exist: The Life and Work of Elaine May, H...
Before now there has never been a full-length biography of Elaine May, the icon known for being one-half of Nichols and May and the director of A New Leaf, The...
Our latest look at new and recent books about (or connected to) cinema includes looks at a couple beloved classics (Scarface and The Blues Brothers), a unique ...
Christopher Schobert is a Rotten Tomatoes-approved film critic who has written for numerous outlets worldwide and covered film festivals in Toronto, New York, and London. Currently, he writes reviews and features for The Film Stage, writes a monthly cinema column for Buffalo Spree magazine, and discusses film as a regular guest on the Shredd and Ragan radio show on Buffalo’s 97 Rock.
