Some years ago, an uncle of mine traveled to Palestine with a group of volunteers. It was a time of fewer videophones, certainly in the region, and the organis...
Perhaps putting his Shia LaBeouf-scripted Auschwitz film on hold––how you feel about that prospect is a fantastic Rorschach test––Abel Ferrara has a New Rose H...
Egos are charred and tempers seared in La Cocina, a kitchen nightmare set in the engine rooms of a vast Times Square eatery where the staff have more pressing ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterA retrospective of Denis Villeneuve's work also brings the director's...
After completing his recent thematic trilogy, Paul Schrader turned to a new project, adapting the late Russell Banks' 2021 novel Foregone and reuniting with hi...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Anyone looking to debate the limits of progress should cast an eye on 1980s Ireland. As a generation born in revolution and civil war moved from farms to towns...
Criterion's got murder on their mind. This May will bring a 4K release of Michael Powell's career-killing masterpiece Peeping Tom, supplemented by appearances ...
There's last will and testaments, and then there's Ryuichi Sakamoto | Opus, for which the musician and composer (for whom adjectives are sometimes adequate) en...
Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss Justine Triet's Oscar-nominated drama Anatomy of a Fall, now in theaters and...
