An introductory paragraph for director-writer-star-producer Tommy Wiseau seems redundant, pointless. He is a towering figure in the canon of So-Bad-It's-Goo...
After an initial green band trailer for André Øvredal's Trollhunter follow-up The Autopsy of Jane Doe, we now have a dissection with a little more bite in t...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Ken Loach has spent the last half-century crafting iconic films with a push for social issues. This year he became only the 9th director to earn a second Pa...
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
That The Accountant is written by Bill Dubuque, the same man who gave us The Judge, makes so much sense, and about halfway through it becomes clear how far this...
From the moment an electric guitar's riff introduces heroine and painter Katsushika Ōi (Anne Watanabe) in 1814 Edo, Japan, Keiichi Hara's Miss Hokusai clearly w...
Unless you live in New York City and have some cash to spend or a P&I pass to wave, the New York Film Festival can feel a bit distant. But the Film Soci...
There's been cause for concern with Rogue One: A Star Wars Story. While at least some form of by-committee filmmaking is expected of, oh, every blockbuster,...
Emmy-winning director James Steven Sadwith makes his feature-directing debut with a story close to his heart. Coming Through the Rye fictionalizes his experienc...
