It is the little-stated, undeniable truth that critics are surrounded by nearly innumerable factors when experiencing the work they've been assigned to review. ...
Mysterious, best left alone, of an ominous origin, and seemingly ready to burst at any moment -- let's just get this out of the way and say that, yes, Werne...
Studio Ghibli's The Red Turtle, their first international co-production (handled in conjunction with Wild Bunch), screened at this year's Filmfest Hamburg, an...
Welcome, one and all, to the newest episode of The Film Stage Show! This week, I am joined by Bill Graham and Dan Mecca to discuss The Accountant, the newes...
After serving as an official selection of the Tribeca Film Festival and being screened in Berlinale's Special section earlier this year, Sonia Kennebeck’s acc...
The film adaptation of a satirical novel about American soldiers returning from combat to be celebrated at home by a people that can never fully appreciate thei...
Following writing-not-directing trend set by Gambit, Unbroken, Bridge of Spies, and George Clooney's upcoming Suburbicon, Joel and Ethan Coen have signed wi...
The head of Karl Marx glooms over Chemnitz, Germany -- figuratively, as this city was once part of the Eastern Bloc, formerly known as Karl-Marx-Stadt, and lite...
Welcome, one and all, to the newest episode of The Film Stage Roundtable, a spin-off podcast from the madmen who bring you The Film Stage Show. On this show...
Quentin Tarantino's brand of fetishism -- the non-foot kind, I mean -- is, in some part, an exploration of the cinema on a genre-by-genre basis, and so his ...
