There is something about McG directing an adaptation of a play that my brain can't quite process. Then again, that also happens when he gets attached to any...
Although A Separation will clearly take the Oscar for Best Foreign Language film, there are a number of worthwhile contenders in the category. One of them i...
It's been almost two years since rumors spread that Daniel Day-Lewis was in contention to lead a Charles Dickens biopic entitled The Invisible Woman; but as...
It's always nice to see a film get some love after doing the festival circuit. LUV, which premiered last month at Sundance, has been acquired by Indomina En...
Despite delays due to an out-of-control budget, Bradley Cooper tried to reassure us as best he could during Sundance this year that "everything was going gr...
Writer/director J.C. Chandor made a relatively low-key splash with his excellent debut film Margin Call this past year, and it seems he has caught the eye o...
With the ten-year anniversary passing last year, director David Wain revealed his plans for another Wet Hot American Summer and now we finally have some con...
Other than Stephen Frears's excellent The Queen, the world has yet to see a major biopic about the late Diana Spencer, Princess of Wales and mother of Princ...
In which we learn, if you're a C.I.A. operative who's captured a world-class baddie, whatever you do, do not got to a safe house. In Safe House, directed by Dan...
There was little hesitation when asked if I wanted to interview Rampart director Oren Moverman, his latest film with collaborator Woody Harrelson. Moverman ...
