Back in 2008, Ryuhei Kitamura debuted a small horror film titled Midnight Meat Train, which racked up a paltry $83k at the domestic box office, but has since gained status as a cult favorite. Leading that project was none other than Bradley Cooper, an actor who was just getting his footing in Hollywood, but would go on to be one of the most sought-after talents in the studio system (with a nod to his horror film even popping up in Silver Linings Playbook). Now, as the director readies the release of his next film, can his star follow the same path of success?
Debuting at Toronto International Film Festival last year, No One Lives features actor Luke Evans, who is on the rise as the villain in Fast & Furious 6, as well as our next Dracula. The first red band trailer has now landed, which sees a clan of backwoods road bandits whose latest victims are far less helpless than they seem. Despite the WWE Films banner — which usually means run in the other direction — it could be a bloody, fun time for those that are fans of the genre. Check out the new trailer below ahead of the release in a few weeks.
No One Lives arrives on May 10th.
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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