Back in 2008, Ryuhei Kitamura debuted a small horror film titled Midnight Meat Train, which racked up a paltry $83k at the domestic box office, but has since gained status as a cult favorite. Leading that project was none other than Bradley Cooper, an actor who was just getting his footing in Hollywood, but would go on to be one of the most sought-after talents in the studio system (with a nod to his horror film even popping up in Silver Linings Playbook). Now, as the director readies the release of his next film, can his star follow the same path of success?
Debuting at Toronto International Film Festival last year, No One Lives features actor Luke Evans, who is on the rise as the villain in Fast & Furious 6, as well as our next Dracula. The first red band trailer has now landed, which sees a clan of backwoods road bandits whose latest victims are far less helpless than they seem. Despite the WWE Films banner — which usually means run in the other direction — it could be a bloody, fun time for those that are fans of the genre. Check out the new trailer below ahead of the release in a few weeks.
No One Lives arrives on May 10th.
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, editor Nick Newman, writer Danny King, and I are joined by The Playlist’s Cory Everett (@modage) and TFS editor-in-chief Jordan Raup to discuss a number of new films. First up, however, we discuss the career of the late Mike Nichols. Then we […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming […]
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