With 3,863,484 unique, virtual bricks in The LEGO Movie and 15,080,330 total pieces, the Australia-based FX company Animal Logic had their work cut out for them when it came to Phil Lord and Chris Miller‘s WB animation. Ahead of this past weekend’s release — which cemented the film as a major hit, its initial take already exceeding the $60 million budget – we shared a no-frills look at the making of the film, but now a more extensive exploration of the visual effects has arrived.
Coming from FX Guide, their latest episode features one-on-one conversation with some of the Animal Logic team, consisting of cinematographer Pablo Plaisted, CG supervisor Aidan Sarsfield, and Grant Freckelton. While there is only a bit of actual footage spliced in, their eye-opening discussions sway heavily on the technical side as they discuss their goal in making the stop-motion effect in CGI. Among the topics discussed are how the incorporated the depth of field with 3D, how the camera was given weight and scale with its “nervous intensity,” inspiration including Looney Tunes and Douglas Trumbull, and more. Check it out in full below.
What impressed you most about the animation in The LEGO Movie?
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Todd Haynes‘ 1995 film, Safe, turned the high-life of San Fernando Valley into an absolute nightmare. Some would argue that’s not exactly a difficult task, but never before had perms and manicures been so frightening. The mundane life and home of “homemaker” Carol White (Juliane Moore) is a disease. When White confronts this illness her life, in some ways, […]
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