Note: This review was originally published as part of our 2025 TIFF coverage. Nuremberg opens in theaters on November 7.
Stanley Kubrick, in one of the most...
Note: This review was originally published as part of our 2025 TIFF coverage. Good Fortune opens in theaters on October 17.
To hear a story from Azrael (Ste...
Note: This review was originally published as part of our 2025 TIFF coverage. Roofman arrives in theaters on October 10.
Derek Cianfrance’s place in the cur...
In The Lost Bus, the latest propulsive and sweat-inducing disaster thriller from Paul Greengrass, a few electric sparks from a major power line hit dry wee...
It’s a terrible, horrible, no good, very bad day for Steve (Cillian Murphy). As the headmaster at Stanton Wood, a boarding school for troubled young men, he sh...
Coming-of-age tales are a genre with little recent innovation. Yet Singaporean-American filmmaker Siyou Tan finds remarkable specificity and novelty in her Sin...
At barely two years old, Harmony Korine’s “post-cinema” company EDGLRD is already branching out. After directing AGGRO DR1FT and Baby Invasion, Korine take...
My friend (and Film Stage Managing Editor) Nick Newman likes the term “counterfeit money” to describe certain movies. Be it The Batman or Ben Affleck's oeuvre,...
The past rears its not-so-ugly head in Two Pianos, Arnaud Desplechin’s latest film exploring the ways gorgeous people make an even bigger mess out of the m...
You can’t accuse John Early of not committing. Through the majority of his acting career, the comedian has become a reliable avatar for a palpable, toxic, ...
