Note: This review was originally published as part of our 2025 NYFF coverage. Is This Thing On? opens in theaters on December 19.
Bradley Cooper’s Is This T...
Note: This review was originally published as part of our 2025 NYFF coverage. Scarlet begins a one-week qualifying run on December 12 and opens in theaters on ...
“Klara remembered who she was. She pulled away from the window and she was a sculptor, although she didn't always believe it, an artist––she believed them some...
Hlynur Pálmason’s fourth feature marks a soft, Malickian left turn for the man behind the icy-bleak dramas Winter Brothers, A White, White Day, and Godland...
With Mount Vesuvius looming over southwestern Italy’s idyllic region of Naples, both in history and imagery, one might reasonably think Gianfranco Rosi’s B...
Jafar Panahi arrives in the United States as both a vector of history and blank slate. His profile would be enough were he only one of Iran’s leading filmmaker...
About halfway through his sentimental and ruminative documentary Stiller & Meara: Nothing is Lost, director Ben Stiller reveals that his parents––actors Je...
Premiering at the Venice Film Festival where it picked up the well-deserved Golden Lion, Jim Jarmusch's Father Mother Sister Brother is one of the loveliest, m...
German director Ulrich Köhler’s Gavagai attempts to play upon its title, focusing on the idea of misunderstanding. Gavagai, a made-up word popularized by philo...
The first time Daniel Day-Lewis shows up in Anemone, he’s cloaked in shadow, sitting inside a small cabin in the middle of the North England wilderness. It...
