Angela Schanelec’s cinema is one of details. It has not always been that way, though, or at least not so apparently; her early films, formally rigorous, with s...
Thirty or so minutes into Angela Schanelec’s Music, a character makes a startling discovery. We’re inside a prison on the outskirts of an unidentified Greek to...
Following a trailer for our most-anticipated Berlinale premiere, Christian Petzold's Afire, another title we're greatly looking forward to is Angela Schanelec'...
