For his tenth Cannes feature premiere, Arnaud Desplechin chose to present a docu-fictional love letter to cinema. Two years after Brother and Sister was in Com...
Coralie Fargeat made a splash with her debut Revenge. But she was only standing in a puddle, endearing niche corners of the global cinephile community to her c...
When it was announced Arnaud Desplechin's next feature Spectateurs! (titled the less-appealing Filmlovers! in English) would be a) a docu-fiction hybrid; b) ab...
In Universal Language, a man makes a journey to his childhood home and meets the family now living there––these are at least the broad strokes. The director is...
Up to this point, Mikey Madison––the fearless, explosive 27-year-old lead of Sean Baker’s Anora––is best-known for her chilling turn as the deranged killer in ...
Aside from Jean-Luc Godard's last film, one of the shortest premieres at the Cannes Film Festival that was among our most-anticipated is Leos Carax's 40-minute...
For a biopic about Donald Trump, The Apprentice is surprisingly concerned with other things. The film has exactly what you might expect and somehow a curiosity...
How is a child’s life different from that of adults today? What is it like growing up around stimuli, in a world that is always-online, and with varying degree...
The Cannes crush can be so unforgiving. This year's case in point: Misericordia has premiered to relatively little notice despite being the latest by the great...
At a wake for the murder of Russian journalist and activist Anna Politkovskaya, shot dead in 2006 in the elevator of her apartment block in Moscow, French writ...
