There's a palpable tactility to the 16mm films of Mark Jenkin, the Cornish director whose Bait and Enys Men are boldly edited, transportive journeys with a sen...
After making one of the most striking debuts of the last few years with his black-and-white Bait, shot on a hand-cranked Bolex camera and 16mm, Mark Jenkin ret...
Perched on the cliff of a windswept island off the coast of Cornwall is a shock of white flowers. Every day a woman studies their petals in religious silence b...
