Update: The duo are now confirmed for the film, which will open on July 15, 2016 in wide release.

From the premiere of Whiplash last year all the way to the Oscar ceremony a few weeks ago, it’s been a long, rewarding journey for Damien Chazelle. Seemingly opening up his options a great deal for what he’ll do next, it was thought to be a reteam with Miles Teller for the musical La La Land, but that won’t quite be the case.

With Teller and prospective co-star Emma Watson exiting the project, Deadline reports that Emma Stone and Ryan Gosling are in talks for the film. Described as a modern-day Los Angeles musical,”the city pushes its residents all the way: it pushes them into song.” Reteaming after Crazy, Stupid Love. and Gangster Squad, Stone would take the role of a lonely aspiring actress named Mia, while Gosling would play jazz pianist Sebastian.

whiplash_chazelleAlthough deals aren’t closed yet, production is aiming to begin this fall, so hopefully we’ll hear confirmation soon. In the meantime, check out Chazelle’s director’s statement below via The Wrap.

“I’d like to make a contemporary musical about L.A., starting with the L.A. we know but slowly building to a vision of the city as romantic metropolis–one that is actually worthy of the dreams it inspires. I’d like to make a musical about the way L.A.’s peculiar rhythms can push its residents to the edge of their emotions–be they hope, desperation or love. Think the kind of teetering-toward-madness you see in “The Graduate” or “Boogie Nights”, and imagine if you were to push that further. In this case, the city pushes its residents all the way: it pushes them into song.

The characters of this movie are just people trying to make it. One thing most movies about struggling L.A. actors and musicians miss is the poetry of their struggle: these are blue-collar folks working day in and day out to make something happen. What I’m interested in is pitting their yearnings and their ambitions against the musical genre. After all, musicals are all about the push-and-pull between reality and fantasy; the heroes of this film, because of their big dreams, are constantly poised on that edge.

At its core, this is a movie about artists in love–and what it means to be an artist in love in arguably the most competitive city on the planet. How do you juggle the need to find success as an artist with the need to share oneself with another human being? And how do you do so in a place where every poster, every street corner and every sign remind you of the glories just beyond reach? L.A. is the “Dream Factory”, and to me there’s something swooningly romantic about that: all those unsung songs and unrealized ideas clouding the air. By casting an affectionate eye on a pair of young hopefuls, while aspiring to the kind of full-fledged romanticism you hardly ever see in today’s movies, I hope to capture the spirit of the city I now call home, and make a movie that feels both classical and urgent–and, yes, intrinsically L.A.”

Are you looking forward to La La Land?

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