Paweł Pawlikowski's Joaquin Phoenix- and Rooney Mara-led The Island was, as cinematographer Łukasz Żal told us, "just two-and-a-half weeks before shooting" whe...
Note: This review was originally published as part of our 2024 TIFF coverage. Eden opens in theaters on August 22.
On paper, there are few filmmakers who se...
Has it become a bit clichéd and too-smart-for-your-own-good to say Eyes Wide Shut is a Christmas movie? Of course. Is Eyes Wide Shut not only a Christmas movie...
Writing about another great Locarno film a few days ago, I lamented the critical inclination to always bring up Éric Rohmer and Hong Sangsoo. Regardless, i...
Never underestimate the critical desire to cite Éric Rohmer––spend enough days at a film festival and you’ll start noticing illusions to the director’s wor...
NYC Weekend Watch is our weekly round-up of repertory offerings.
IFC CenterFilms by John Woo, Tsui Hark, and Ringo Lam screen in Hong Kong Cinema Classics; ...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Cinema Guild's release of Shinji Sōmai restorations stands among the great projects in modern cinema. Shortly after debuting Love Hotel, they'll be giving The ...
One of the great films about movie love, failed ambition, and personal destruction, Carlos Reichenbach's aptly titled Movie Dementia (or the more evocative Fil...
Jafar Panahi followed Henri-Georges Clouzot, Michelangelo Antonioni, and Robert Altman as just the fourth director to win the Cannes Palme d'Or, the Berlin Gol...