Upon completing duties as a debut screenwriter, Friedrich Dürrenmatt celebrated a job well done by promptly rewriting the whole thing. The Swiss playwright and...
One of the films we hoped would get distribution at the start of the year was Ashley McKenzie's Werewolf follow-up Queens of the Qing Dynasty, a selection at B...
What can one say about the career of Guy Ritchie? The guy was nearly as essential to the rejuvenation of the British film scene in the '90s as Danny Boyle. His...
Argentinian writer-director Laura Citarella, part of the film collective El Pampero Cine responsible for such monumental work as La Flor, presented her third f...
Few––I mean one or two––films from last year were equal to Bertrand Bonello's Coma. It also never got a theatrical release. Though I'd try offering some explan...
After Cannes Film Festival announced its main lineup last week, the Directors' Fortnight and Critics' Week sidebars have unveiled their slates. Now in its 55th...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, The B-Side host Conor O'Donnell joins Robyn Bahr, Bill Graham, and special guest Val...
After breaking out in Babyteeth and Little Women, Eliza Scanlen finds an impressive new starring role with The Starling Girl. The directorial debut of Laurel P...
Suffering from genre dysphoria, Renfield has all elements in place for a hilarious comedy but ultimately takes itself just a little too seriously for its conce...
How many movies are roundly better than Martin Scorsese's After Hours? Whatever the number (seriously: six?) it is now surely among the greatest in the Criteri...