Set years before George Michael’s arrest and inspired by the bathroom raids that provoked a moral panic in Mansfield, Ohio, in 1963, Carmen Emmi’s Syracuse-set...
Offering a twist on the body-swap genre, Amanda Kramer’s Sundance Next entry By Design feels, at first glance, more suited to the stage or gallery than cinema....
An auteur-actor pairing to nearly match last week's word of Johnnie To and Tony Leung comes via Variety, who tell us Ulrike Ottinger will direct Isabelle Huppe...
It's hard to say what's more endearing about Takashi Miike these days: that the director of Audition and Ichi The Killer is still out there producing work at t...
With an evocative opening-credits sequence as the camera swirls through a virtual landscape of neon signs and lights, one might think they are witnessing the b...
Evoking Gordon Park's black-and-white photographs of the New Deal Era, cinematographer Brittany Shyne’s powerful debut feature Seeds offers a portrait of a dis...
Early one morning, a single father and widower (John Magaro)––credited as Dad––wakes up his perceptive nine-year-old Ella (Molly Belle Wright) and mischievous ...
There is an unbridled honesty to André Is an Idiot that is admirable, even if all of it doesn't really work. It's a simple, stark subject for a documentary: ac...
Twinless starts like a prototypical Sundance movie––grim and serious, plus unexpected levity. That’s the general formula for a festival that might as well have...
Early in Michael Shanks’ directorial debut Together, Millie (Alison Brie) warns her boyfriend Tim (Dave Franco) that if they don’t “split up” now, it’s only go...