You have to hand it to Atom Egoyan: no matter how many flops he’s accrued, he won’t chase trends. While his new film Seven Veils positions itself in the high-d...
Thelonious "Monk" Ellison is in a rut. He’s still trying to get a publisher to accept his latest book in a market that doesn’t exactly embrace his erudite styl...
There are few actors who command the screen like Kate Winslet, and with Ellen Kuras’ Lee, the thespian has one of her sturdiest roles in years. As tenacious, g...
For a first feature, Grant Singer could certainly do worse than Reptile. The question remains whether Netflix is capable of allowing anything better than routi...
We can tell something is amiss the moment Nina (Maren Eggert) smiles and reminds her son Lars (Jona Levin Nicolai) that they only have “ten days left.” The way...
In the midst of a festival setting, catching up with all the best of world cinema and the contemporary avant-garde, you basically hope––sometimes even luckily ...
Taika Waititi had two goals when approaching Next Goal Wins: one was to make sure people who looked like him found their way onto mainstream screens; two was m...
The quasi-narrator who bookends Tarsem Singh's return to the big screen with the India-set Dear Jassi doesn't quite know where to start his ripped-from-the-hea...
Ananda (Tannishtha Chatterjee) says it all towards the end of Wendy Bednarz’s feature debut Yellow Bus: “There were so many chances to save her life.” That’s t...
Amrit (Lakshya) admits near the beginning of Nikhil Nagesh Bhat's no-holds-barred action extravaganza Kill that the only reason Fani (Raghav Juyal) and his ext...