Like other Hong Sang-soo films, In Our Day passes, on the surface, for simple fare. The prolific South Korean director layers weighty themes amidst naturalisti...
It is time to stop labeling moths as villains. Moths received an unfortunate, terrible rep due to the common phobia of insects when reporters hyperbolically co...
Is there a better work at the intersection of filmmaking, cinephilia, and their attendant madnesses? However evident its genius, Peeping Tom has awaited a prop...
While Cannes Film Festival is most synonymous with towering, established auteurs of international premiering their latest work, if one digs a bit deeper into t...
It's strange to be in early October and have the vast majority of notable films coming this year already having premiered, but that's the case in 2023. Outside...
About halfway through playwright Annie Baker’s self-assured and pitch-perfect directorial debut Janet Planet, 11-year-old Lacy (Zoe Ziegler) rolls over in bed ...
Before the New York Film Festival premiere of her latest opus, Green Border, legendary director Agnieszka Holland wished everyone a good screening: “I would te...
Don’t have a favorite Mongolian film yet? Worry no more. City of Wind, writer-director Lkhagvadulam Purev-Ochir’s feature debut, is here to expand your cinemat...
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they ma...
It's been great having a spree of new John Carpenter albums over the last decade; we might also acknowledge that roughly half of them were tied to projects few...