As one can tell from our feature wrapping up the best premieres on the fall circuit, no film has earned more discussion these last few months than Brady Corbet...
As we get closer to the end of 2024 and various critics and voting bodies collate their year-end lists and ballots, the question of what is eligible for such s...
Each year the Busan International Film Festival screens movies at its outdoor stage. Among the titles this year was Kalki 2898 AD, a sci-fi box-office sensatio...
Whatever acclaim––nay, outright-legendary status––is foisted upon Michelangelo Antonioni typically comes from a small selection of films produced in the 1960s....
Canadian director Guy Maddin embraces absurdity. Along with his co-writers and directors Evan and Galen Johnson, Maddin has added to his surrealist oeuvre with...
Although his illustrious career has been ongoing for decades, this year marks quite a major milestone for Pedro Almodóvar. He premiered his very first English-...
In Charlie McDowell’s last feature, Windfall, the ambitious (though largely unsuccessful) idea was to put the audience in a stressful situation (à la Hitchcock...
Happy Halloween from The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in b...
Bringing a pristine level of craft with their portraits of subcultures in The Last Race and The Truffle Hunters, Gregory Kershaw and Michael Dweck turned their...
The Line is unpleasant. But then it should be, shouldn't it? Written by Ethan Berger and Alex Russek and directed by Berger in his feature debut, this is a fil...