Note: This review was originally published as part of our 2025 Sundance coverage. The film opens in theaters on February 13.
Offering a twist on the body-sw...
Spoiler culture may be one of the lowest forms of film conversation, but there are times when it simply must be invoked. This is to say that Nirvanna the B...
Is the sight of the human tongue really so shocking? Were 1996 audiences ducking in their seats à la L'Arrivée d'un train en gare de La Ciotat when Matthew Lil...
Forget misunderstood hacks and generational talents. There's nothing quite like a consistent studio hand (with a solid 3- or 4-star batting average) who flies ...
The jealousy of unhappy couples. The pettiness of mean girls. The frustration of insecure husbands. It’s a tale as old as time that's curiously interpreted...
Taking on the art world is notoriously difficult—it’s already too ridiculous, and so the heightening of reality necessary for proper satire doesn’t work. There...
Working with her sister Anna—a 38-year-old Korean adoptee with a developmental disability—director Liz Sargent’s sensitive drama Take Me Home is both witty and...
In a stray moment during Charlotte Zhang’s Tycoon, a young man says he stopped complaining to his landlord about the cockroaches invading his L.A. flat les...
In dance, you have to lead with confidence. Your partner looks to you for guidance, and they require you to look back at them responsively, to move instinc...
Note: This review was originally published as part of our 2025 Cannes coverage. Pillion opens in theaters on February 6.
It wouldn’t be Cannes without a...
