Note: This review was originally published as part of our 2025 Sundance coverage. Predators opens in theaters on September 19.
Filmmaker David Osit gives vi...
Note: This review was originally published as part of our 2025 Sundance coverage. Plainclothes opens in theaters on September 19.
Set years before George Mi...
Note: This review was originally published as part of our 2024 BFI London coverage. The Summer Book opens in theaters on September 19.
In Charlie McDowell’s...
If there’s a thread running through Kogonada’s films to date, it’s his distinct fascination with spare, deeply human character studies unfolding within meticul...
In The Lost Bus, the latest propulsive and sweat-inducing disaster thriller from Paul Greengrass, a few electric sparks from a major power line hit dry wee...
It’s a terrible, horrible, no good, very bad day for Steve (Cillian Murphy). As the headmaster at Stanton Wood, a boarding school for troubled young men, he sh...
Coming-of-age tales are a genre with little recent innovation. Yet Singaporean-American filmmaker Siyou Tan finds remarkable specificity and novelty in her Sin...
At barely two years old, Harmony Korine’s “post-cinema” company EDGLRD is already branching out. After directing AGGRO DR1FT and Baby Invasion, Korine take...
My friend (and Film Stage Managing Editor) Nick Newman likes the term “counterfeit money” to describe certain movies. Be it The Batman or Ben Affleck's oeuvre,...
The past rears its not-so-ugly head in Two Pianos, Arnaud Desplechin’s latest film exploring the ways gorgeous people make an even bigger mess out of the m...
