"We're all so fucked, right." So says Mazzy (Sadie Sink), a young woman visiting her father Ben (Eric Bana). This observation matches the dreadful tone of the ...
Tomás Gómez Bustillo’s charming, intelligent Chronicles of a Wandering Saint is a natural follow-up to the two short films for which he is known: Soy Buenos Ai...
For a movie so deeply focused on sound, there’s a bit of an arrhythmia to A Quiet Place: Day One. Michael Sarnoski directs his own screenplay, dabbling within ...
If knives weren’t already being sharpened for Ti West prior to MaXXXine––the third installment in his X series of exploitation throwbacks––they likely will be ...
Jeremy O. Harris' Slave Play. Not A Movie. A Play. is in fact a documentary self-portrait, at times providing a behind-the-scenes look at the workshopping of H...
Jac Cron’s Chestnut is undoubtedly more instructive than it is enjoyable. Instructive because it brings to the fore many of the dominant features of Gen Z gloo...
Expanding the cinematic universe of her first feature The Unknown Country, Morrisa Maltz’s Jazzy is a beautifully crafted portrait of childhood in South Dakota...
An ambling father-daughter road trip through ‘90s Poland, Julia von Heinz’s Treasure is an odd hybrid. On one side it’s a meandering portrait of a father (Step...
It’s been a difficult stretch for Pixar. In the near-decade since Inside Out became a creative and commercial hit, the animation powerhouse doubled down on a v...
A seemingly blissful union rapidly crumbles in Valérie Donzelli’s Just the Two of Us, a domestic abuse-drama presented as a harrowing-if-simplified psychologic...
