The cinematic arm of the Slum Dwellers International and affiliates’ campaign to expose injustice wrought upon waterfront communities in Nigeria’s largest city...
Chatting with the head of a prominent documentary-production company recently, I asked if hybrid filmmaking had reached its natural limit. Could it conceivably...
“I’m older––I’m not old,” says Shelley, the longest-term performer in a past-its-prime Las Vegas revue. She is played by Pamela Anderson, the international ico...
Mike Leigh is nothing if not an expert at conceiving (in conjunction with talented actors) a certain kind of larger-than-life character. Well, larger-than-life...
Fielding questions about Kubi, a period piece chronicling a few years of internecine feudal wars in 16th-century Japan, Takeshi Kitano dismissed some rumors he...
Early last year, a theory started doing the rounds: if comic-book movies have lost their sheen, might video-game adaptations take their place? Two of the bigge...
In a twist for the ages, the greatest joke of Todd Phillips’ Joker sequel––which contains far fewer punchlines than the first, regardless of how they land––is ...
A ruthlessly efficient thriller fueled by boiling rage, Jeremy Saulnier’s Rebel Ridge wastes no time setting the stakes. Terry Richmond (Aaron Pierre) is liste...
Where’s the filth? I wrote down the question on page two of my notes, roughly about when Queer entered its second chapter, sending Lee (Daniel Craig) and his y...
Killers of the Flower Moon's epilogue felt like the last word on true crime: a director with several based-on-a-true-story tales to his name emerging from behi...
