Ricky (Stephen James) has only been out of prison a few weeks, but the real world has already become too much for him. His parole officer Joanne (Sheryl Lee Ra...
A few years back, directors Lois Patiño and Matías Piñeiro joined forces for what was meant to be a very loose adaptation of Shakespeare’s The Tempest. The res...
It's hard to say what's more endearing about Takashi Miike these days: that the director of Audition and Ichi The Killer is still out there producing work at t...
With an evocative opening-credits sequence as the camera swirls through a virtual landscape of neon signs and lights, one might think they are witnessing the b...
Early one morning, a single father and widower (John Magaro)––credited as Dad––wakes up his perceptive nine-year-old Ella (Molly Belle Wright) and mischievous ...
The infamous cover of New York Magazine’s December 2022 issue declared that Hollywood is in the middle of a “Nepo Baby Boom,” but this is hardly restricted to ...
If, by and large, American cinema has taken a puritanical view on sex, leave it to our neighbors up north to craft a refreshingly frank, hilarious comedy o...
It’s more than a little odd when a director’s follow-up film to an Oscar-nominated hit is being offloaded onto theaters in the frozen tundra that is "dumpuary....
Not to judge a film from the synopsis established by its marketing team, but those expecting director Aurélie Saada’s debut Rose––a 2021 Locarno premiere only ...
In the fall of 2017 I worked at a media startup that covered the tech world. Having attended many tech conferences in that span of time, the panel that retains...